“You are a magnificent musician – thank God for you in the future!”

- music icon Quincy Jones

 

“Andrew Craig is a supreme musician for our modern age, fusing rhythm and blues, gospel, jazz and new age genres with proportion, taste and skill”

- Carol Lipson, The Live Music Report

 

He’s Musical Directed high-profile tributes to Quincy Jones and Oscar Peterson, as well as York University’s 50th Anniversary Concert. He’s arranged music for 50,000 children singing for Nelson Mandela. He’s shared the stage and the studio with some of the biggest names in music: from Wynton Marsalis to Herbie Hancock, Molly Johnson to Measha Bruggergosman-Lee, to name just a few. He’s received commissions from diverse organizations, from the National Arts Centre Orchestra to the Toronto 2015 Pan/Para-Am Games.

 

Andrew Craig - aka Rhapsodius - is a true Renaissance man in the arts: singer, multi-instrumentalist, composer, arranger, producer, director, broadcaster, playwright, impresario, and content creator. He is engaged in a broad range of activities in several areas of new media, including live performance, radio and television production, scoring for picture, and music theatre. Recognized as a leading cultural thinker, Andrew is frequently asked to offer his guidance and consultation to organizations such as the Art Gallery of Ontario, the Faculty of Fine Arts at York University, and the Toronto and Ontario Arts Councils.

 

He is a former resident artist at the Young Centre for the Performing Arts, and  a former member of the Board of Directors of Toronto’s Harbourfront Centre. As a radio host and producer for the Canadian Broadcasting Corporation’s national live concerts programs, Craig showcased the remarkable breadth and depth of Canadian musical talent, over the national airwaves and to the world via the Internet, for nearly a decade.

 

He is the recipient of York University’s Bryden Award in 2006, and the 2009 African-Canadian Achievement Award for Excellence In The Arts. To date, Craig has developed several projects as an impresario, including a full-scale tribute to Earth, Wind and Fire, a Valentine’s Day concert called “Celebrate Love”, the acclaimed Gospel Christmas Project (which ran for ten years), and the Sistahs and Brothas Projects, featured on Vision TV and at the 2015 Toronto Pan/Para Am Games.

 

Commissions include “United We Play”, a work for ten pianos and orchestra, debuted at the three-year countdown event for the Toronto 2015 Pan/Para-Am Games, and a pan-stylistic piece for the 2012 Mayor’s Ball For The Arts, commissioned by the Toronto Arts Foundation. Andrew led a performance of his own arrangement of “We Are One”, the 2015 Music Monday anthem, as selected by the Coalition for Music Education, backed by 160-voice choir and orchestra. Andrew served as Composer, Music and Co-Artistic Director for the Toronto 2015 Pan/Para-Am Games Flame Arrival Ceremony, and Composer and Music Director for the daily Victory Celebrations for the Games.

 

In 2013, Andrew founded Culchahworks Arts Collective, a vibrant Toronto-based arts organization that develops and produces Black-focused performance artwork and social justice programmes with deep cultural resonance. Culchahworks produced the Toronto commemoration of the 50th anniversary of the March of Washington, and Dr. Martin Luther King’s historic “I Have A Dream” speech, which received national media coverage. Through Culchahworks, Andrew created a pilot project called the Warriors’ Chorus, in partnership with the Toronto District School Board. A heritage reclamation initiative by design, the Warriors' Chorus brings together youth of colour facing unique challenges into a choir.

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Culchahworks premiered Andrew’s oratorio “We Still Dare To Dream”  (inspired by Dr. King’s iconic "I Have A Dream" speech) in January 2014 at Toronto’s Queen Elisabeth Theatre, to rave reviews. The Oratorio was remounted in 2016, as part of the “King’s Playlist” concert. Culchahworks presented the workshop and full presentations of Nicole Brooks’ “Obeah Opera”, a fictional retelling of the Salem witch trials through the eyes of African slave women. Culchahworks presented Andrew’s “Global Marley”, a multimedia concert tribute to reggae icon Bob Marley, on what would have been the artist’s 70th birthday. In 2017, Culchahworks produced Andrew’s multi-disciplinary tribute to African-American artist and activist Harry Belafonte (celebrating the icon’s 90th birthday), produced an event celebrating the history and legacy of the African djembe drum, and produced three editions of the Can.You.Read.Festival, a one-day festival of literacy and food security.

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2018 saw the debut of Andrew as a playwright, theatre director, and filmmaker. He wrote, directed and produced a trio of multidisciplinary works entitled "Portraits, Patterns, Possibilities: A Black Canadian Trilogy." The presentations told the stories of three significant Black Canadians, for whom 2018 was an anniversary year: Chloe Cooley, Mary Ann Shadd, and Willie O'Ree. The plays, and film about O'Ree were debuted in Fredericton, NB (O'Ree's birthplace) and Toronto, to highly favourable audience reviews.

 

In February 2019, Andrew (through Culchahworks) embarked upon the "Eglinton West Project", intended to shine light on the history of the Eglinton-Oakwood neighbourhood in Toronto - the hub of the Caribbean community, and the birthplace of the Toronto Reggae sound. The unique culture of this area continues to be under severe threat from the construction of the Eglinton Crosstown subway line. The centrepiece of this project, the "Titans of Toronto Reggae" concert, caused a sensation in the city. It brought together 16 of Toronto's legendary Reggae artists for a one-night-only performance, and the gathering was so significant that the Mayor of Toronto declared March 2 "Titans of Toronto Reggae Day". 

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Continuing his development as a playwright, Andrew (through Culchahworks) presented a workshop version of a play entitled "Fish And Rum" in 2019. This work explores the story of illicit trade between the islands of Newfoundland and Jamaica during the Prohibition Era. An enhanced version "Fish And Rum" was presented in February of 2020.

 

In 2022, Rhapsodius' play about Chloe Cooley was transformed into a full-length theatrical movie. "Chloe=Catalyst" fictionally retells the story of the woman who was at the centre of the drama that led to the first anti-slavery legislation passed anywhere in the British Empire. When Canada Post released its commemorative stamp featuring Chloe Cooley, excerpts from the movie were featured on CTV National News, bringing Chloe's story to a whole new audience.

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In March 2024, workshops were held for "Keeping Up With The Joneses" in Halifax, Cherrybrook, and Toronto. Andrew's latest play dramatizes the real-life stories of Rocky and Joan Jones and Walter Borden - Canadian civil rights activists and pioneers who were active in Halifax at the peak of the 1960s. The full production is slated to have its debut in 2026.

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In 2023, Rhapsodius composed a disco and 1970s-era inspired score for the Stratford Festival's production of "Richard II", and was also commissioned by the National Arts Centre Orchestra to create a new arrangement of Oscar Peterson's iconic "Hymn To Freedom" that premiered on Canada Day. Rhapsodius has also developed a new hybrid Classical/Afrocentric project called Melanatté, featuring soprano Denise Williams. In the summer of 2024, Rhapsodius premiered "War and Peace: Songs and Monologues" - a one-man show exploring the reasons for war and the path to peace, commissioned by Guelph Museums.

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Since 2018, Andrew has served as a member of the Faculty at St. John's Kilmarnock School in Breslau, ON. 

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